{"id":2659,"date":"2025-08-20T12:08:07","date_gmt":"2025-08-20T10:08:07","guid":{"rendered":"https:\/\/adrianaarronte.com.es\/?page_id=2659"},"modified":"2025-09-28T15:25:46","modified_gmt":"2025-09-28T13:25:46","slug":"a-santos-de-que-2","status":"publish","type":"page","link":"https:\/\/adrianaarronte.com.es\/index.php\/noticias\/exposiciones-colectivas\/a-santos-de-que-2\/","title":{"rendered":"Exposici\u00f3n A Santos de qu\u00e9?"},"content":{"rendered":"\n

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Exposiciones colectivas<\/a><\/p>\n\n\n\n

A Santos de qu\u00e9?<\/strong>. La Casa Amarilla. M\u00e1laga. 2024
Curadur\u00eda Onedys Calvo<\/p>\n\n\n\n

FUTURO LUMINOSO |<\/strong> \u00a0BRIGHT FUTURE<\/a>. 2024
Componentes de l\u00e1mpara, accesorios m\u00e9dicos, bombillas, cristal, resina y metal.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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La utop\u00eda como rapto del futuro<\/em><\/p>\n\n\n\n

La referencia al \u201cfuturo luminoso\u201d es recurrente en m\u00faltiples utop\u00edas. En esta pieza medito sobre la luz, en su car\u00e1cter simb\u00f3lico (gu\u00eda, verdad, conciencia plena) y las distop\u00edas en doctrinas o sistemas que se yerguen como razones absolutas. 

En la utop\u00eda no hay que hacer pre\u00adguntas, porque todo est\u00e1 ya resuelto. Quien interroga, por el solo hecho de hacerlo, supone que hay algo no previsto o realizado: es un cr\u00edtico, un enemigo, un c\u00e1ncer eliminable. Si ella no poseyese toda la luz, no ser\u00eda utop\u00eda.<\/em>
Marie Louise Berneri, Journey trough Utopia.<\/p>\n\n\n\n


Utopia as the abduction of the future<\/em>
The reference to the \u00abbright future\u00bb recurs in multiple utopias. In this piece, I meditate on light, its symbolic character (guidance, truth, mindfulness), and dystopias in doctrines or systems that stand as absolute reasons.<\/p>\n\n\n\n

In utopia, there’s no need to ask questions, because everything is already resolved. Anyone who questions, by the mere fact of doing so, assumes there’s something unforeseen or unfulfilled: they’re a critic, an enemy, an erasable cancer. If it didn’t possess all the light, it wouldn’t be utopia.<\/em>
Marie Louise Berneri, Journey through Utopia.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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FORMALIZACI\u00d3N |<\/strong> FORMALIZATION<\/strong><\/a>
Grabado (linograf\u00eda)\/ cartulina \/ 42\u00d730 cm<\/p>\n\n\n\n

FORMALIZACI\u00d3N re\u00fane sellos empleados en gestiones legales, enunciados y \u00f3rdenes burocr\u00e1ticas. Los tr\u00e1mites legales implican procesos de resoluci\u00f3n ansiada, a menudo urgente y hasta desesperada. Requisitos, plazos, formularios, justificantes, tazas, sellos… su ejecuci\u00f3n determina estatus y derechos. Contrasta el sistema reglado fr\u00edo, con la naturaleza emocional del tramitador. <\/p>\n\n\n\n

En SUBSANACI\u00d3N empleo sellos antiguos de Cuba, pertenecientes al Comit\u00e9 Estatal del Trabajo y la Seguridad Social, al Ministerio de Salud MINSAP y a la Imprenta militar IMP. La subsanaci\u00f3n de errores en Cuba es un proceso legal muy recurrente. Los errores resultan de un trabajo realizado sin motivaci\u00f3n, en condiciones inadecuadas y escasa remuneraci\u00f3n.  La pretensi\u00f3n de excusar o sanar desaciertos es tambi\u00e9n una constante en el discurso pol\u00edtico universal.<\/p>\n\n\n\n


FORMALIZATION brings together the hallmarks used in legal procedures, statements, and bureaucratic orders. Legal procedures involve processes of long-awaited, often urgent, and even desperate resolution. Requirements, deadlines, forms, receipts, fees, stamps\u2026 their execution determines status and rights. It contrasts the cold, regulated system with the emotional nature of the process.

In CORRECTION, I use old Cuban stamps belonging to the State Committee for Labor and Social Security, the Ministry of Health, the Ministry of Health (MINSAP), and the Military Printing Office (IMP). Correcting errors in Cuba is a very common legal process. Errors result from work performed without motivation, under inadequate conditions, and with little pay. The attempt to excuse or correct mistakes is also a constant in universal political discourse.<\/p>\n<\/div>\n\n\n\n

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EXPOSICIONES<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Exposiciones colectivas A Santos de qu\u00e9?. La Casa Amarilla. M\u00e1laga. 2024Curadur\u00eda Onedys Calvo FUTURO LUMINOSO | \u00a0BRIGHT FUTURE. 2024Componentes de l\u00e1mpara, accesorios m\u00e9dicos, bombillas, cristal, resina y metal. La utop\u00eda como rapto del futuro La referencia al \u201cfuturo luminoso\u201d es recurrente en m\u00faltiples utop\u00edas. En esta pieza medito sobre la luz, en su car\u00e1cter simb\u00f3lico… Exposici\u00f3n A Santos de qu\u00e9?<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":2050,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"on","neve_meta_disable_title":"on","footnotes":""},"class_list":["post-2659","page","type-page","status-publish","hentry"],"yoast_head":"\nExposici\u00f3n A Santos de qu\u00e9? - ADRIANA ARRONTE<\/title>\n<meta name=\"description\" content=\"La Casa Amarilla. M\u00e1laga, 2024. 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